you shall know our experience, rohingya refugee camps, indonesia
Fiji sandbox
back window burqa, kabul
the community mobiliser
women's group
fishing or escape
six years and waiting
jivan mukhti moments
a little liberation in this life
portraits/people
N & K
desmond: apple of eye
Roland
babu being more
Avina
daliesque self-portrait, 2010
pipe club, jakarta, indonesia
in death's parlor (credit c.c. lo)
raneesha and the morgue
myanmar
Yangon and around
the unbearable & fallegt iceland
all praise the frangipani
all praise the frangipani, leyte philippines
if you meet the buddha on the path
flower street, kabul
birds of paradise bath
lower peirce, singapore
tell your story
queen tuna park
here’s where the fishes (kiss-to-kiss) hold up the sky— & we (ghosts of daylight) slide between
the breath of salt & tired headlights.
a boy kicks mudstars into the wind, his ball—(half a moon) lost in the shuffle of barefoot scurry & laughter
while drivers smoke quiet into the air’s blue ache, lean back in rusted jeepneys like prophets off duty.
the sea (in whispers) slips beneath grates, while lovers tuck into corners, mouthing secrets that glow like cigarette ends.
a woman (barefoot with nowhere) pulls her sweater tight as if it were a house— and maybe, tonight, it is.
this is where we come when no one wants us— where sleep is borrowed, & time forgets your name, but the wind remembers
and the fishes above (queens of nothing) watch with their big wet eyes & never blink.
the camera that documented peninsular malaysia
have cake; eat it, too
a smoke between tremors, gansu, china
punk saves the world, bandung, indonesia
the coconut gatherers, indonesia
survivor
So, who told you to use revolting or even victim, which implies we are already dead, in light of the weight bestowed upon us vows—undying and splendored— offers of solidarity rotting away in social media diaries
paradise lost, fiji
horse fables, yangon, myanmar
archipelagone
central sulawesi earthquake, tsunami and liquefaction road